In September 1940, after seven years of exile, Walter Benjamin crosses the Pyrenees in a desperate attempt to escape the Nazis. According to the official version, Walter Benjamin did make it across the French-Spanish border successfully. But when he arrived in the Catalan town of Portbou, a sudden change in legislation impeded his entry into Spain and he was obliged to spend the night at a local hotel under the close vigilance of three guards, whose orders were to deport him the following morning. In utter despair, Benjamin took his own life, swallowing and overdose of morphine. The local doctor, however, declared it a natural death and Benjamin was given a Catholic burial in the municipal cemetery, under a wrong name. Did the doctor conceal some hidden cause of Benjamin's death? Was there really a change of legislation? Was Walter Benjamin aware that Portbou was a pro-Franco town virtually occupied by the Nazis? Who Killed Walter Benjamin... reaches for answers among the suspicious circumstances of his death. Giving at the same time, a portrait of a frontier town anchored between two fronts, constant witness of evasion, persecution and false hopes. Who Killed Walter Benjamin... not just a reconstruction of a death but the living portrait of the scene of the crime.

An avenue crossing that is, at the same time, the border between the city of Buenos Aires and Greater Buenos Aires. Every day, thousand s of people cross it on their way to work. Buses, traffic lights, asphalt, concrete, a rusty sign. A person going to study, another one selling pancakes; public lighting electoral propaganda; cell phone ads and hamburgers. The image of normalcy. “Every document of civilization is, at the same time, a document of barbarism,” Walter Benjamin said after looking at the capitalist catastrophe against the grain. Reality is a common grave; this film, a digging process. Or the dissection of the landscape where, ten years ago, the definitive trail of a teenager was lost in the hands of the police.

An avenue crossing that is, at the same time, the border between the city of Buenos Aires and Greater Buenos Aires. Every day, thousand s of people cross it on their way to work. Buses, traffic lights, asphalt, concrete, a rusty sign. A person going to study, another one selling pancakes; public lighting electoral propaganda; cell phone ads and hamburgers. The image of normalcy. “Every document of civilization is, at the same time, a document of barbarism,” Walter Benjamin said after looking at the capitalist catastrophe against the grain. Reality is a common grave; this film, a digging process. Or the dissection of the landscape where, ten years ago, the definitive trail of a teenager was lost in the hands of the police.

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松泽教授带领的京都大学的灵长类动物研究所，探索作为人类的我们是谁达38年。松泽和他的研究团队一直在检测黑猩猩大脑的各个方面。从探索黑猩猩节奏感、到黑猩猩的语言能力、理解数字规则的能力、再到黑猩猩的记忆能力与观察学习能力，松泽教授得出了许多意料之中与意料之外的结果。在有的方面人类比黑猩猩更优越，然而其他方面我们却比黑猩猩更逊色。那到底是什么成就了我们人类在地球上的霸主地位？在进化的过程中我们得到了什么并失去了什么？让我们来一探究竟。

柴门文原作漫画改编的单元剧。 　　柴门文，女漫画家，代表作有爱白和东爱。 　　本剧女主视角。女主和男神都是男主好友，因女主暗恋男神，男主选择隐藏自己的感情，帮女主勇敢追求男神。